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supported by 12 fans who also own “Introduction — Yes, Welcome. Please Take Your Seats”
lovely music, I can't wait to tell my cat about my
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supported by 9 fans who also own “Introduction — Yes, Welcome. Please Take Your Seats”
I spent my New Year's hangover listening to "Sky Mall" on repeat, when I discovered my new favorite bass player. "Fugue State" is what you get if the Muscle Shoals musicians took a break to noodle around on Bach and eventually became my wake-up alarm. "First Place" reminds me of that scene in "Clerks" where Randal walks into the adult video store.
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supported by 8 fans who also own “Introduction — Yes, Welcome. Please Take Your Seats”
Everytime I hear this album I groove like a tiny dancing Pomeranian getting a haircut. Anyone that hears this will definitely get blessed and funkified from the great Vulf.
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Speakeasy - Live 2016
by John Robins
Robins decided to release the recording of his 2016 comedy tour during the Covid-19 shutdown at the behest of fans.
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Taylor Ham, Egg, And Cheese
by Chris Gethard
Comedian Chris Gethard’s hilarious new surprise album is devoted to the great state of New Jersey, and the great state of New Jersey alone.
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In A Time Of Trouble A Wild Exultation
by Jaye Bartell
A stunning and sparse follow-up to last year's "Light Enough" from Brooklyn songwriter Jaye Bartell.
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supported by 7 fans who also own “Introduction — Yes, Welcome. Please Take Your Seats”
I was initially drawn toward Vulfpeck's earlier instrumental tracks. This album effectively earned my respect for their vocal works. Listening to "Running Away" and "Baby I Don't Know" is like uncovering buried gems from the 1970's. "Hero Town" sounds like an instrumental outtake from Three Dog Night's "Hard Labor" album with deeper bass, earning my respect for Jack Stratton's mixing skills. I would love to see him do a masterclass for mixing in the Vulf Conservatory.
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